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2. List of bass amplifier and loudspeaker manufacturers

   en.wikipedia.org/wiki/List_of_bass_amplifier_and...

   This article lists manufacturers of bass amplifiers, loudspeakers, and other amplification-related items such as preamplifiers. The amplifiers and loudspeakers used to amplify bass instruments (e.g., the bass guitar, double bass and similar instruments) are distinct from other types of amplification systems due to the particular challenges associated with low-frequency sound reproduction.

3. Marshall Amplification - Wikipedia

   en.wikipedia.org/wiki/Marshall_Amplification

   The changes gave Marshall amplifiers a more aggressive voice, which quickly found favour with players such as Eric Clapton, who would sit in Jim's shop practising. Clapton asked Jim Marshall to produce a combo amplifier with tremolo, which would fit in the boot of his car, and one of the most famous Marshall amps was born, the "Bluesbreaker ...

4. THD Electronics - Wikipedia

   en.wikipedia.org/wiki/THD_Electronics

   In 1992, Guitar Player Magazine conducted a one-to-one test with a 1973 JMP Marshall 50-watt amplifier head, and found the two sounded “very close”. [11] From 1990-1991, a very limited run of THD 50-watt bass amplifiers was also produced. These bass amplifiers were dubbed the “Classic Bass Head”. [1]

5. Marshall Major - Wikipedia

   en.wikipedia.org/wiki/Marshall_Major

   The Marshall Major (Model 1967 [1]) was a bass guitar amplifier made by Marshall. It was introduced in 1967 as the "Marshall 200" (in reference to the power of the amplifier). It had a plexi panel and two inputs in one channel, but in contrast with the 100 watt heads made by Marshall, the first series had split tone controls similar to the ...

6. The Who's musical equipment - Wikipedia

   en.wikipedia.org/wiki/The_Who's_musical_equipment

   In 1965, Pete Townshend and John Entwistle were directly responsible for the creation and widespread use of Marshall amplifiers powering stacked speaker cabinets. In fact, the first 100 watt Marshall amps (called "Superleads") were created specifically for Entwistle and Townshend when they wanted an amplifier that sounded like a Fender head but with much more power.

7. AHED (company) - Wikipedia

   en.wikipedia.org/wiki/Ahed_(company)

   The objective was to make a solid state amplifier sound like the warm tube sound of Fender and Marshall amplifiers. The secret behind the GBX sound was a coupling transformer separating the front end from the output transistors. Guy Beresford did not get involved until 1971 The guitar series offered different configurations.