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Cool jazz is a style of modern jazz music inspired by bebop and big band [1] that arose in the United States after World War II. It is characterized by relaxed tempos and a lighter tone than that used in the fast and complex bebop style. Cool jazz often employs formal arrangements and incorporates elements of classical music.
West Coast jazz refers to styles of jazz that developed in Los Angeles and San Francisco during the 1950s. West Coast jazz is often seen as a subgenre of cool jazz, which consisted of a calmer style than bebop or hard bop. The music relied relatively more on composition and arrangement than on the individually improvised playing of other jazz ...
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales, and occasional references ...
Continental jazz: Early jazz dance bands of Europe in the swing medium, to the exclusion of Great Britain. Cool jazz: Contrasts with the hard, fast sound of bebop. A more relaxed, subdued style, with more formal arrangements and elements of swing and classical. 1940s–1960s Crossover jazz: Artists mix different styles of music into jazz. 1970s ...
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales, and occasional references ...
Earl Rudolph "Bud" Powell (September 27, 1924 – July 31, 1966) [1] was an American jazz pianist and composer.A pioneer in the development of bebop and its associated contributions to jazz theory, [2] Powell's application of complex phrasing to the piano influenced both his contemporaries and later pianists including Walter Davis Jr., Toshiko Akiyoshi, and Barry Harris.
By the end of the 1940s, the nervous energy and tension of bebop was replaced with a tendency towards calm and smoothness, with the sounds of cool jazz, which favoured long, linear melodic lines. It emerged in New York City , as a result of the mixture of the styles of predominantly white jazz musicians and black bebop musicians, and it ...
Tristano's advanced grasp of harmony pushed his music beyond the complexities of the contemporary bebop movement: [97] from his early recordings, he sought to develop the use of harmonies that were unusual for that period. [98] His playing has been labeled "cool jazz", [99] but this fails to capture the range of his playing. [100]