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Also called gruppetto. tutti All; all together, usually used in an orchestral or choral score when the orchestra or all of the voices come in at the same time, also seen in Baroque-era music where two instruments share the same copy of music, after one instrument has broken off to play a more advanced form: they both play together again at the ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In music, a trio (from the Italian) is any of the following: a composition for three performers or three musical parts; in larger works, the middle section of a ternary form (so named because of the 17th-century practice of scoring the contrasting second or middle dance appearing between two statements of a principal dance for three instruments)
A piece for two pianists performing together on separate pianos is a "piano duo". "Duet" is also used as a verb for the act of performing a musical duet, or colloquially as a noun to refer to the performers of a duet. A musical ensemble with more than two solo instruments or voices is called a trio, quartet, quintet, sextet, septet, octet, etc.
Sonata – Composition for one or more instruments, typically in three or four movements. Flute sonata – Sonata specifically composed for the flute. Sonatina – Short sonata, often simpler in structure and melody, used as a teaching tool or for less formal occasions. Trio sonata – Form of sonata for two melodic instruments and basso continuo.
Still others called upon the orchestra itself to function as the primary virtuosic force within the concerto form. This approach was adopted by Bela Bartok in his Concerto for Orchestra as well by other composers of the period including: Walter Piston (1933), Zoltan Kodaly (1939), Michael Tippet (1962) and Elliott Carter (1969).
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This is a list of music genres and styles. Music can be described in terms of many genres and styles. Classifications are often arbitrary, and may be disputed and closely related forms often overlap. Larger genres and styles comprise more specific sub-categories.