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Recorded in English c. 1374, with a meaning of "one who pleads or argues for a cause", from Anglo-French oratour, Old French orateur (14th century), Latin orator ("speaker"), from orare ("speak before a court or assembly; plead"), derived from a Proto-Indo-European base *or-("to pronounce a ritual formula").
L'Orateur - Du meilleur genre d'orateurs. Collection des universités de France Série latine. Latin text with translation in French. ISBN 978-2-251-01080-9 Publication Year: June 2008; M. Tulli Ciceronis De Oratore Libri Tres, with Introduction and Notes by Augustus Samuel Wilkins. Oxford: Oxford University Press, 1902. (Reprint: 1961).
Splatter films, according to film critic Michael Arnzen, "self-consciously revel in the special effects of gore as an artform." [5] Where typical horror films deal with such fears as that of the unknown, the supernatural and the dark, the impetus for fear in a splatter film comes from physical destruction of the body and the pain accompanying it.
Acceptance; Admiration; Affection; Amusement; Anger; Angst; Anguish; Annoyance; Anticipation; Anxiety; Apathy; Arousal; Awe; Belongingness; Boredom; Confidence ...
The son of Elie-Catherine Fréron, he was born in Paris to a wealthy family. His father was a prominent journalist and popular opponent of the philosophes and encyclopédistes, his most notable opponent being Voltaire (who openly considered Elie his enemy), and it is surmised that his father's history of conflict with the state over freedom of the press heavily influenced Louis Fréron's ...
The Orator, also known as L'Arringatore (), Aule Meteli or Aulus Metellus (), is an Etruscan bronze sculpture from the late second or the early first century BC. [1] Aulus Metellus was an Etruscan senator in the Roman republic, originally from Perugia or Cortona. [2]
Sissy is a 2022 Australian indie psychological horror film written and directed by Hannah Barlow and Kane Senes and starring Aisha Dee in the title role as Cecilia (aka Sissy), a successful social media influencer who is invited to a bachelorette weekend by her close childhood friend before it turns into a nightmare with Hannah Barlow (who also directed and wrote the film), Emily De Margheriti ...
Powers of Horror: An Essay on Abjection (French: Pouvoirs de l'horreur. Essai sur l'abjection) is a 1980 book by Julia Kristeva.The work is an extensive treatise on the subject of abjection, [1] in which Kristeva draws on the theories of Sigmund Freud and Jacques Lacan to examine horror, marginalization, castration, the phallic signifier, the "I/Not I" dichotomy, the Oedipal complex, exile ...