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The opening bars and main theme of No. 1. The Nocturnes, Op. 9 are a set of three nocturnes for solo piano written by Frédéric Chopin between 1831 and 1832, published in 1832, and dedicated to Madame Marie Pleyel. These were Chopin's first published set of nocturnes. The second nocturne of the work is often regarded as Chopin's most famous ...
Composer Franz Liszt even insisted that Chopin's nocturnes were influenced by Vincenzo Bellini's bel canto arias, [11] a statement affirmed and echoed by many in the music world. A further innovation of Chopin's was his use of counterpoint to create tension in the nocturnes, a method that even further expanded the dramatic tone and feel of the ...
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With over 243 million views (in July 2024), Vadim Chaimovich's interpretation of Frédéric Chopin's Nocturne in E-flat Major, Op. 9 No. 2 is one of the most viewed classical music videos and the most popular recording of a composition by Chopin on YouTube. [3]
In music, Op. 9 stands for Opus number 9. Compositions that are assigned this number include: Adams – Chamber Symphony; Adès – Living Toys; Bartók – Four Dirges; Beethoven – String Trios, Op. 9; Chopin – Nocturnes, Op. 9; Dohnányi – Symphony No. 1; Kabalevsky – Piano Concerto No. 1
The Nocturne No. 20 in C ♯ minor, Op. posth., Lento con gran espressione, P 1, No. 16, KKIVa/16, WN 37, is a solo piano piece composed by Frédéric Chopin in 1830 and published in 1875. Chopin dedicated this work to his older sister Ludwika Chopin , with the statement: "To my sister Ludwika as an exercise before beginning the study of my ...
Musicologist Erinn Knyt writes: "In the nineteenth century Chopin and his music were commonly viewed as effeminate, androgynous, childish, sickly, and 'ethnically other. ' " [238] Music historian Jeffrey Kallberg says that in Chopin's time, "listeners to the genre of the piano nocturne often couched their reactions in feminine imagery", and he ...
A second example of rubato used at a singing moment is in his Second Piano Concerto. In a similar situation, the melody leaps up to three A-flat played consecutively and the rubato marked tells the player to perform them in a singing quality. F. Chopin, Nocturne Op. 9 No. 2, Sämtliche Pianoforte-Werke, Band I, C.F.Peters, 1905, image form imslp.