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Many sand mandala contain a specific outer locality which is clearly identified as a charnel ground. The colors for the painting are usually made with naturally colored sand, crushed gypsum (white), yellow ocher, red sandstone, charcoal, and a mixture of charcoal and gypsum (blue). Mixing red and black can make brown, red and white make pink.
To create these mandalas, the monks first create a sketch, [29] then take colorful sand traditionally made from powdered stones and gems into copper funnels called Cornetts [27] and gently tap sand out of them to create the sand mandala. Each color represents attributes of deities.
Navajo sandpainting, photogravure by Edward S. Curtis, 1907, Library of Congress. In the sandpainting of southwestern Native Americans (the most famous of which are the Navajo [known as the Diné]), the Medicine Man (or Hatałii) paints loosely upon the ground of a hogan, where the ceremony takes place, or on a buckskin or cloth tarpaulin, by letting the coloured sands flow through his fingers ...
The monks came to town this week to spend four days creating the intricate artwork — before destroying it.
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Losang Samten (Tibetan: བློ་བཟང་བསམ་གཏན།, Wylie: blo-bzang bsam-gtan) is a Tibetan-American scholar, sand mandala artist, former Buddhist monk, and Spiritual Director of the Chenrezig Tibetan Buddhist Center of Philadelphia.