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Cross of Saint James: A red Cross of Saint James with flourished arms, surmounted with an escallop, was the emblem of the twelfth-century Galician and Castillian military Order of Santiago, named after Saint James the Greater. Saint Julian Cross: A Cross Crosslet tilted at 45 degrees with the tops pointing to the 'four corners of the world'.
A part of this sign, relic known as the "Title" or "Titulus Crucis", kept in the Cappella delle Reliquie in Rome, Italy. Saint Helena, Roman Empress and mother of Emperor Constantine the Great, went on pilgrimage to the Holy Land and reportedly discovered the True Cross and many other relics which were donated to the church of Santa Croce in Gerusalemme ("Holy Cross in Jerusalem") which she ...
The Cross of Saint James, also known as the Santiago cross, cruz espada, or Saint James' Cross, is a cruciform (cross-shaped) heraldic badge. The cross, shaped as a cross fitchy, combines with either a cross fleury or a cross moline. Its most common version is a red cross resembling a sword, with the hilt and the arm in the shape of a fleur-de-lis.
piece of wood, log, beam, post or an object made of wood, such as a spoon, the Trojan horse, a cudgel or club, an instrument of punishment (a collar for someone's neck, stocks to confine his feet or to confine his neck, arms and legs, a gallows to hang him, or a stake to impale him), a table, a bench as in the theatre; a tree;
Flags with crosses are recorded from the later Middle Ages, e.g. in the early 14th century the insignia cruxata comunis of the city of Genoa, the red-on-white cross that would later become known as St George's Cross, and the white-on-red cross of the Reichssturmfahne used as the war flag of the Holy Roman Emperor possibly from the early 13th ...
The highlight of the shrine is a large wooden cross and bronze figure of Christ by sculptor Marshall Fredericks. The site also includes outdoor and indoor churches, numerous smaller shrines, and a nun doll museum. The Cross in the Woods is open 365 days a year and the Church built at this location holds Masses every day, year round.
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Cimabue achieves a masterful handling of colour; medieval churches tended to be extremely colourful, with frescoed walls, painted capitals, and gold leaf paintings. [8] Pale tonalities dominate, with the main contrast found in the dark areas of Christ's hair and beard, which are utilised to make the features of his face stand out more and position his head as the focal point.
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