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The sonata for violin and piano in G minor, L. 140, was written in 1917. It was the composer's last major composition and is notable for its brevity; a typical performance lasts about 13 minutes. The premiere took place on 5 May 1917, the violin part played by Gaston Poulet, with Debussy himself at the piano. It was his last public performance.
Claude Debussy c. 1910. This is a complete list of compositions by Claude Debussy initially categorized by genre, and sorted within each genre by "L²" number, according to the 2001 revised catalogue by musicologist François Lesure, [1] which is generally in chronological order of composition date. "L¹" numbers are also given from Lesure's ...
Op. 2 No. 11 – Violin Sonata in B minor; Op. 2 No. 12 – Violin Sonata in G minor; Op. 3 No. 1 – Sonata for 2 violins in G major; Op. 3 No. 2 – Sonata for 2 violins in A major; Op. 3 No. 3 – Sonata for 2 violins in C major; Op. 3 No. 4 – Sonata for 2 violins in F major; Op. 3 No. 5 – Sonata for 2 violins in E minor
The most well known sonata from this volume, number 11 in G minor, appears to have been largely the work of Eccles himself, though he excerpted the second movement (the Corrente) from Francesco Bonporti's Opus 10. [2] In 1723, Eccles produced a further volume of Sonatas for Violin and Figured Bass with an additional two sonatas for flute.
Violin Sonata in G minor (1901) (recently recorded on ASV but a rarity) Sonata No. 1 in E major, first version 1920/1, revised 1945 (, ) Sonata No. 2 in D major, 1915/1921 Sonata No. 3 in G minor, 1927 Sonata in F major (alternate version of his Nonet) 1940 Amy Beach. Violin Sonata in A minor (1896) [2] Ludwig van Beethoven
Debussy composed the Cello Sonata as the first of the set within a few weeks in July at the Normandy seaside town of Pourville. He wrote to his publisher Durand on 5 August that he would send the manuscript of what he described as a sonata in "almost classical form in the best sense of the word". [4] It was printed in December 1915. [4]
In the Modern period, sonata form became detached from its traditional harmonic basis. The works of Schoenberg, Debussy, Sibelius and Richard Strauss emphasized different scales other than the traditional major-minor scale and used chords that did not clearly establish tonality. It could be argued that by the 1930s, sonata form was merely a ...
Cello sonata, Op. 125 in G minor; Wolfgang Rihm. Von weit (1993) 2 Stücke (2022) Yann Robin. Con Fuoco (2011) Lucia Ronchetti. Ravel Unravel for cello and piano, (2012) Sites auriculaires, for cello and piano, (2012) Julius Röntgen. Cello Sonata No. 1 in B-flat, Op. 3 (1872–73) Cello Sonata No. 2 in A minor, Op. 41 (1900) Cello Sonata No. 3 ...