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"Blue Skies" is a popular song, written by Irving Berlin in 1926. "Blue Skies" is one of many popular songs whose lyrics use a "bluebird of happiness" as a symbol of cheer: "Bluebirds singing a song/Nothing but bluebirds all day long." The sunny optimism of the lyrics are undercut by the minor key giving the words an ironic feeling.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
Jazz pianist Fats Waller wrote many of the early jazz standards, including "Squeeze Me" (1925), "Ain't Misbehavin'" (1929) and "Honeysuckle Rose" (1929). 1924 – "Everybody Loves My Baby" is a song composed by Spencer Williams with lyrics by Jack Palmer. [42] It was introduced by Clarence Williams and His Blue Five, with Louis Armstrong on ...
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time.
Blue Skies is the third studio album by American jazz singer Cassandra Wilson. [1] It was released on the JMT label in 1988 and features Wilson performing ten jazz standards accompanied by Mulgrew Miller on piano, Terri Lyne Carrington on drums, and Lonnie Plaxico on bass.
Richard Rodgers and Lorenz Hart. According to the Great American Songbook Foundation: . The "Great American Songbook" is the canon of the most important and influential American popular songs and jazz standards from the early 20th century that have stood the test of time in their life and legacy.
Many 1930s standards were popularized by jazz singer Billie Holiday's recordings, including "These Foolish Things", "Embraceable You" and "Yesterdays". " Begin the Beguine " is a show tune from Cole Porter's Broadway musical Jubilee , first recorded by Xavier Cugat and His Waldorf-Astoria Orchestra and popularized by Artie Shaw's recording in 1938.
In most jazz standards, the A-section is used to establish the key, while the B-section has tonal excursions, but in "Introspection", the roles of the sections are reversed. The A-section doesn't land on a stable chord until bar 6 where it lands on D Δ7 , but the B-section establishes D ♭ Δ7 as a new key center.