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Scott, the Edinburgh-born son of a college lecturer, is the founder and only permanent member of the Waterboys. Having begun his career in teenage Ayr punk band White Heat [8] and its Edinburgh successor Another Pretty Face, [9] he moved to London and formed another short-lived band, The Red and the Black.
Title Album details Peak chart positions SCO [14]UK [9]UK Indie [15]The Live Adventures of: Released: August 1998; Label: New Millennium (#PILOT40); 66: 91: 10 Karma to Burn
Fisherman's Blues is the fourth studio album by the Waterboys, released by Ensign Records in October 1988. The album marked a change in the band's sound, with them abandoning their earlier grandiose rock sound for a mixture of traditional Irish music, traditional Scottish music, country music, and rock and roll.
The Best of The Waterboys 81–90 is made up of 12 tracks which were personally selected by the band's lead singer, musician and songwriter Mike Scott. The album, along with a re-issue of the single "The Whole of the Moon", was an attempt by Chrysalis Records to boost the band's record sales to match their reputation. A survey of album buyers ...
Modern Blues is the eleventh studio album by the Waterboys, released on the independent label Harlequin and Clown in 2015.It was produced by Mike Scott, with two tracks being co-produced with Paul Brown.
Before a video was made for the previous single "The Return of Pan", Scott had refused to shoot videos for most of the Waterboys' singles. He considered the medium to taint the listener's relationship with a song and spoil their imagination of it by presenting imagery that was often "shallow and moronic".
The Waterboys, "Where the Action Is" (Cooking Vinyl) For premium support please call: 800-290-4726 more ways to reach us
The 1991 releases of "The Whole of the Moon" and The Best of the Waterboys 81–90 was an attempt to boost the band's record sales to match their reputation. A survey of album buyers carried out by Chrysalis found that 11% considered themselves fans of the Waterboys and only 1% actually owned any of their singles or albums.