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[1] [2] [3] Salawat is a plural form of salat (Arabic: صَلَاة) and from the triliteral root of ṣ-l-w (the letters ṣād-lām-wā, ص ل و) which literally means 'prayer' or 'send blessings upon'. [4] [5] Some Arabic philologists suggest that the meaning of the word "Salawat" varies depending on who uses the word and to whom it is used ...
Salat al-Fatih is commonly known as Durood Fatih in the Indian subcontinent and Sholawat Fatih in Far East Asia. [ 3 ] This litany was transmitted to Muslims by the Sheikh Muhammad ibn Abi al-Hasan al-Bakri , a descendant of Abu Bakr al-Siddiq .
Among the following verses a frequently cited phrase is "Amor es el pan de la vida, amor es la copa divina, (English: "Love is the bread of life, love is the divine cup") amor es un algo sin nombre que obsesiona a un hombre por una mujer. [3] These and other lyrics are referenced in a number of modern Spanish literary works. [4]
Amor fati is a Latin phrase that may be translated as "love of fate" or "love of one's fate". It is used to describe an attitude in which one sees everything that happens in one's life, including suffering and loss , as good or, at the very least, necessary.
Siyer-i Nebi (Ottoman Turkish: سیر نبی) is an Ottoman epic on the life of the Islamic prophet Muhammad, completed around 1388, written by Mustafa (son of Yusuf of Erzurum, known as al-Darir), a Mevlevi dervish on the commission of Sultan Barquq, the Mamluk ruler in Cairo.
Amor y Alegria (English: Love and Joy) is the second studio album recorded by Nicaraguan salsa singer-songwriter Luis Enrique. The album was released by CBS Discos in 1988 (see 1988 in music). The album earned him international recognition as the album was produced during the salsa romantica era of the 1980s. [1]
According to the article about Islamic religious music in the New Grove Dictionary of Music, "Northern Sudan has a famous madih tradition, going back to Hajj El-Mahi of Kassinger (c 1780–1870), who composed about 330 religious poems of which handwritten copies survive. They are performed by pairs of male singers with the accompaniment of two ...
He is influenced by Zayane Berber folk music, having grown up with the sounds of Mohamed Rouicha, Azlmat, and Hadda Ouakki. [3] He is also influenced by the chaabi songs played at weddings and parties in Rabat's al-Kamra neighborhood, as well as the raï songs of artists such as Cheb Hasni, Cheb Mami, Khaled, Cheb Nasro, Cheb Bilal, and Cheb Rizki that would play at the billiard halls. [3]