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Postmodern literature is a form of literature that is characterized by the use of metafiction, unreliable narration, self-reflexivity, intertextuality, ...
Postmodernism is a term used to refer to a variety of artistic, cultural, and philosophical movements that claim to mark a break from modernism.They have in common the conviction that it is no longer possible to rely upon previous ways of depicting the world.
Industrialisation, Post-Modernism, and the Internet have allowed furniture design to become more accessible to a wider range of people than ever before. There are many modern styles of furniture design, each with roots in Classical, Modernist, and Post-Modern design and art movements.
Post-postmodernism is a wide-ranging set of developments in critical theory, philosophy, architecture, art, literature, and culture which are emerging from and reacting to postmodernism. Periodization
The Story of Post-Modernism: Five Decades of the Ironic, Iconic and Critical in Architecture, published in 2011, was the last book by Charles Jencks. Jencks discusses the history of Post-modernism, especially in the fields of art and architecture during the last five decades (since 1960). [ 1 ]
Postmodern architecture is a style or movement which emerged in the 1960s as a reaction against the austerity, formality, and lack of variety of modern architecture, particularly in the international style advocated by Philip Johnson and Henry-Russell Hitchcock. [1]
Mid-century modern (MCM) is a movement in interior design, product design, graphic design, architecture and urban development that was present in all the world, but more popular in North America, Brazil and Europe from roughly 1945 to 1970 during the United States's post-World War II period.
Theories of the Postmodern: 55–66. Surrealism Without the Unconscious: 67–96. Spatial Equivalents in the World System: 97–129. Reading and the Division of Labor: 131–153. Utopianism After the End of Utopia: 154–180. Immanence and Nominalism in Postmodern Theoretical Discourse: 181–259. Postmodernism and the Market: 260–278.