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The Musée d'Orsay (UK: / ˌ m juː z eɪ d ɔːr ˈ s eɪ / MEW-zay dor-SAY, US: / m juː ˈ z eɪ-/ mew-ZAY-, French: [myze dɔʁsɛ]) (English: Orsay Museum) is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900.
In 2010 the Orangerie and the Musée d’Orsay were linked administratively under the Établissement public des musées d'Orsay et de l'Orangerie – Valéry Giscard d'Estaing (EPMO). On occasion, the Orangerie still hosts dance and piano concerts and other events in the restored Water Lillies gallery.
The Apparition (Moreau, Musée d'Orsay) Arab Chiefs Challenging each other to Single Combat under the Ramparts of a City; Arab Horses Fighting in a Stable; Arearea; L'Arlésienne (painting) Around the Piano; The Artist's Garden at Giverny; Avenue of Poplars near Moret-sur-Loing
Summer Hours (French: L'Heure d'été) is a 2008 French drama film written and directed by Olivier Assayas.It is the second in a series of films produced by the Musée d'Orsay, after Flight of the Red Balloon.
The Gare d'Orsay (French: [ɡaʁ dɔʁsɛ]) is a former Paris railway station and hotel, built in 1900 to designs by Victor Laloux, Lucien Magne and Émile Bénard; it served as a terminus for the Chemin de Fer de Paris à Orléans (Paris–Orléans railway).
Musée d'Orsay, Paris The Poppy Field near Argenteuil ( French : Coquelicots ) is an oil-on-canvas landscape painting by the French Impressionist Claude Monet , completed in 1873. Following its donation to the French state in 1906 by Étienne Moreau-Nélaton , it was housed successively in the Louvre , Musée des Arts Décoratifs and the Jeu de ...
The Truth is an 1870 oil-on-canvas painting by the French painter Jules Joseph Lefebvre.It is in the Musée d'Orsay, in Paris, since 1982. [1]The Truth was exhibited during the 1870 Salon and was bought by the French state in 1871.
Musée d'Orsay, Paris Portraits at the Stock Exchange (also known as At the Bourse ) is a painting by the French artist Edgar Degas . Completed in about 1879, the painting was already in the collection of the French banker Ernest May when it was listed in the catalogue of the fourth Impressionist exhibition that year.