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A jazz term which instructs chord-playing musicians such as a jazz pianist or jazz guitarist to perform a dominant (V7) chord with at least one (often both) altered (sharpened or flattened) 5th or 9th altissimo Very high; see also in altissimo alto High; often refers to a particular range of voice, higher than a tenor but lower than a soprano
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
A long-format vinyl record that can hold more than 20 minutes of content per side, often called an LP (long-playing) or album. 12-string. Both electric guitars and acoustic guitars are available in 12 string versions. Three of the added strings are doubling the standard strings at the unison, and three are an octave higher. 13th
The piano, in turn, has become louder, richer, even mushier in sound, and, above all, less wiry and metallic. This change makes nonsense out of all those passages in eighteenth-century music where the violin and the piano play the same melody in thirds, with the violin below the piano. Both the piano and the violin are now louder, but the piano ...
In Old English, the caesura has come to represent a pronounced pause in order to emphasize lines in Old English poetry that would otherwise be considered to be a droning, monotonous line. [5] This makes the caesura arguably more important to the Old English verse than it was to Latin or Greek poetry. In Latin or Greek poetry, the caesura could ...
Fortepiano by Paul McNulty after Walter & Sohn, c. 1805 A fortepiano [ˌfɔrteˈpjaːno] is an early piano.In principle, the word "fortepiano" can designate any piano dating from the invention of the instrument by Bartolomeo Cristofori in 1700 up to the early 19th century.
The term was first applied to music during the 16th century, at first to refer to the imaginative musical "idea" rather than to a particular compositional genre. Its earliest use as a title was in German keyboard manuscripts from before 1520, and by 1536 is found in printed tablatures from Spain, Italy, Germany, and France.
Reflecting the cultures that settled North America, the roots of old-time music are in the traditional musics of the British Isles, [2] Europe, and Africa. African influences are notably found in vocal and instrumental performance styles and dance, as well as the often cited use of the banjo; in some regions, Native American, Spanish, French and German sources are also prominent. [3]