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Victimisation (or victimization) is the state or process of being victimised or becoming a victim. The field that studies the process, rates, incidence, effects, and prevalence of victimisation is called victimology .
Pages in category "Children's science fiction novels" The following 200 pages are in this category, out of approximately 327 total. This list may not reflect recent changes .
Repeat victimisation involves measuring how often the same victim is subjected to a repeat occurrence of an offence, often by the same offender. Repetition rate measures are often used to assess the effectiveness of interventions.
Fiction maintains depictions of violence to expose the basic conflicts in social relationships and in turn provide readers with an understanding of both personal and collective life experiences. [30] In his book How to Read Literature Like a Professor, Foster (2003) classifies fictional violence into two categories: authorial and character-imposed.
The National Crime Victimization Survey (NCVS) is a tool to measure the existence of actual, rather than reported, crimes—the victimization rate. [32] The National Crime Victimization Survey is the United States' "primary source of information on crime victimization. Each year, data is obtained from a nationally representative sample of ...
Science Fiction Literature through History: An Encyclopedia is a 2021 reference work written by science fiction scholar Gary Westfahl and published by ABC-Clio/Greenwood.The book contains eight essays on the history of science fiction, eleven thematic essays on how different topics relate to science fiction, and 250 entries on various science fiction subgenres, authors, works, and motifs.
Matthew Looney is the title character in a series of four science fiction books for children by Jerome Beatty Jr (1916—2002). Matthew's sister Maria Looney is the title character in Beatty's three subsequent books. The entire Looney series is illustrated by the renowned cartoonist Gahan Wilson.
[3] This would simultaneously broaden the audience for science fiction and also put Heinlein into a steady, lucrative market. [4] Heinlein had already had success as a writer of short fiction for the sci-fi pulp magazines; the juveniles established him as a novelist for major publishers. [4]