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  2. Royal road progression - Wikipedia

    en.wikipedia.org/wiki/Royal_road_progression

    IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...

  3. Category : Songs containing the royal road progression

    en.wikipedia.org/wiki/Category:Songs_containing...

    Pages in category "Songs containing the royal road progression" The following 6 pages are in this category, out of 6 total. This list may not reflect recent changes. *

  4. Category:Chord progressions - Wikipedia

    en.wikipedia.org/wiki/Category:Chord_progressions

    Royal road progression; S. Sears Roebuck bridge; Sixteen-bar blues; ... Media in category "Chord progressions" The following 5 files are in this category, out of 5 total.

  5. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    IV-V-I-vi chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV– ♭ VII–IV: I–IV– ♭ VII–IV. 3: Mix. ii–V–I progression: ii–V–I: 3: Major ii–V–I with tritone substitution (♭ II7 instead of V7) ii– ♭ II –I: 3: Major ii-V-I with ♭ III + as dominant ...

  6. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in

  7. Sixteen-bar blues - Wikipedia

    en.wikipedia.org/wiki/Sixteen-bar_blues

    Instead of extending the first section, one adaptation extends the third section. Here, the twelve-bar progression's last dominant, subdominant, and tonic chords (bars 9, 10, and 11–12, respectively) are doubled in length, becoming the sixteen-bar progression's 9th–10th, 11th–12th, and 13th–16th bars, [citation needed]

  8. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.

  9. List of popular music songs featuring Andalusian cadences

    en.wikipedia.org/wiki/List_of_popular_music...

    Following is a list of popular music songs which feature a chord progression commonly known as Andalusian cadences. Items in the list are sorted alphabetically by the band or artist 's name. Songs which are familiar to listeners through more than one version (by different artists) are mentioned by the earliest version known to contain ...