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Poor Folk explores poverty and the relationship between the poor and the rich, common themes of literary naturalism. Largely influenced by Nikolai Gogol 's The Overcoat , Alexander Pushkin 's The Stationmaster and Letters of Abelard and Heloise by Peter Abelard and Héloïse d’Argenteuil , [ 20 ] it is an epistolary novel composed of letters ...
"The Poor People" is a short story written by Victor Hugo in 1854, translated into Russian by Lidia Veselitskaya, [1] and then rewritten or retold by Leo Tolstoy in 1908. It is the story of a woman, the protagonist ("Zhanna", "Jeanne" or "Jeanna", depending on the translator), her husband, their five children, and how some romantic feelings survive amidst their struggle in poverty. [2]
Poor Folk is an epistolary novel that depicts the relationship between the small, elderly official Makar Devushkin and the young seamstress Varvara Dobroselova, remote relatives who write letters to each other. Makar's tender, sentimental adoration for Varvara and her confident, warm friendship for him explain their evident preference for a ...
The short stories Dostoyevsky wrote during the period before his imprisonment explore similar themes to Poor Folk and The Double. [30] " White Nights " "features rich nature and music imagery, gentle irony, usually directed at the first-person narrator himself, and a warm pathos that is always ready to turn into self-parody".
Narrated by a young novelist, Vanya (Ivan Petrovich), who has just released his first novel (which bears an obvious resemblance to Dostoevsky's own first novel, Poor Folk), it consists of two gradually converging plot lines. One deals with Vanya's close friend and former love object, Natasha, who has left her family to live with her new lover ...
Like many of Dostoevsky's stories, "White Nights" is told in the first person by a nameless narrator. The narrator is a young man living in Saint Petersburg who suffers from loneliness. He gets to know and falls in love with a young woman, but the love remains unrequited as the woman misses her lover, with whom she is finally reunited.
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“Poor Little Black Fellow” is the ninth story within the collection, describing the life of Arnie, a Black orphan left in the care of the White upper-class Pemberton couple. The story explores Arnie’s isolation as the only Black member of his New England community, and his experience abroad searching for connection.