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From the 14th century onwards, they were described in short verses in Sanskrit, for dhyana, 'contemplation', and later depicted in a series of paintings, called the Ragamala paintings. [3] Some of the best available works of Ragamala are from the 16th and 17th centuries, when the form flourished under royal patronage, [ 4 ] though by the 19th ...
Ragmala, alternatively spelt as Raagmala or Ragamala (Punjabi: ਰਾਗਮਾਲਾ ; pronounced rāgmālā,) is a composition of twelve verses (sixty lines) that names various raga. These raga appear in the saroops of Guru Granth Sahib , after the compositions of Guru Arjan entitled Mundavani (ਮੁੰਦਾਵਣੀ; meaning "The Royal Seal".)
[4] [5] [6] Notable medieval paintings that depict the Ashta nayika are the Ragamala paintings, as those from the Bundi school of painting. [ 3 ] A famous example in Indian literature is Jayadeva 's Gita Govinda (12th century) as well as in the Vaishnava poet Banamali's compositions, Radha dons the roles of the various nayikas while with her ...
The workshop flourished under his attention. Among the most notable illustrated manuscripts and sets of paintings are a Ragamala set of 43 paintings, a long Ramayana series, a Bhagavata Purana completed in 1792 with 366 illustrations and a Devi Mahatmya dated 1799 with 102 miniatures. There are also many others paintings, drawings and sketches ...
Indian miniature paintings are a class of paintings originating from India. [1] Made on canvases a few inches in length and width, the Indian miniatures are noted for the amount of details that the artist encapsulates within the minute canvas frame; and the characteristic sensitivity with which the human, divine and natural forms are portrayed.
This page was last edited on 24 January 2020, at 14:07 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike License 4.0; additional terms may apply.
The Ragamala paintings also belong to this school, as does the later Company painting produced for British clients from the mid-18th century. Modern Indian art has seen the rise of the Bengal School of art in 1930s followed by many forms of experimentations in European and Indian styles.
Marva or Marwa (IAST: Mārvā) portrays being with one's lover and is often portrayed in Ragamala paintings as two couples kissing. It is a hexatonic Indian raga; Pa (the fifth tone) is omitted. Marva is the eponymous raga of the Marva thaat.
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