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In rhetoric, antithesis is a figure of speech involving the bringing out of a contrast in the ideas by an obvious contrast in the words, clauses, or sentences, within a parallel grammatical structure. [7] The term "antithesis" in rhetoric goes back to the 4th century BC, for example Aristotle, Rhetoric, 1410a, in which he gives a series of ...
Antithesis involves putting together two opposite ideas in a sentence to achieve a contrasting effect. [12] [page needed] Contrast is emphasised by parallel but similar structures of the opposing phrases or clauses to draw the listeners' or readers' attention. Compared to chiasmus, the ideas must be opposites.
Parallel syntax – repetition of similar sentence structures. Paraprosdokian – a sentence in which the latter half takes an unexpected turn. Parataxis – using juxtaposition of short, simple sentences to connect ideas, as opposed to explicit conjunction. Parenthesis – an explanatory or qualifying word, clause, or sentence inserted into a ...
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). [1][2] In the distinction between literal and figurative language, figures of speech constitute the latter.
Chiasmus. In rhetoric, chiasmus (/ kaɪˈæzməs / ky-AZ-məs) or, less commonly, chiasm (Latin term from Greek χίασμα, "crossing", from the Greek χιάζω, chiázō, "to shape like the letter Χ "), is a "reversal of grammatical structures in successive phrases or clauses – but no repetition of words". [1]
Zeugma (often also called syllepsis, or semantic syllepsis): a single word is used in two parts of a sentence but must be understood differently in relation to each. [6][7][8][9] Example: "He took his hat and his leave." The type of figure is grammatically correct but creates its effect by seeming, at first hearing, to be incorrect by its ...
A false dilemma is an informal fallacy based on a premise that erroneously limits what options are available. [1][2][3] In its most simple form, called the fallacy of bifurcation, all but two alternatives are excluded. A fallacy is an argument, i.e. a series of premises together with a conclusion, that is unsound, i.e. not both valid and true.
Silva Rhetoricae provided by Gideon Burton of Brigham Young University understands amplification as something that can be used as a basic notion of imitation: to change the content of a model while retaining its form, or to change its form while retaining the content (varying a sentence; double translation; metaphrasis; paraphrasis; epitome).
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