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is a phrase within a monologue by Prince Hamlet in William Shakespeare's play Hamlet. Hamlet is reflecting, at first admiringly, and then despairingly, on the human condition. The speech is recited at the end of the film Withnail and I and the text was set to music by Galt MacDermot for the rock opera Hair
The contrast (appearance and reality) is also expressed in several "spying scenes": Act two begins with Polonius sending Reynaldo to spy on his son, Laertes. Claudius and Polonius spy on Ophelia as she meets with Hamlet. In act two, Claudius asks Rosencrantz and Guildenstern to spy on Hamlet.
Online film critic James Berardinelli gave the film a four-star review and declared that the Branagh Hamlet is the finest Shakespeare adaptation, rating it as the best film of 1996, the fourth best film of the 1990s, and one of his top 101 favourite films of all time, saying, "From the moment it was first announced that Branagh would attempt an ...
Hamlet stabs Polonius through the curtain he is hiding behind as Queen Gertrude looks on, as part of The Closet Scene in Hamlet act 3, scene 4. [5]The phrase occurs in Hamlet act 3, scene 4, [6] as a part of one of Hamlet's speeches in the Closet Scene.
The production took place because of a lighthearted agreement between Richard Burton and Peter O'Toole while they were filming Becket.O’Toole decreed that they should each play Hamlet afterwards under the direction of John Gielgud and Laurence Olivier in either London or New York City, with a coin toss deciding who would be assigned which director and which city.
Hamlet was the first British film to win the Academy Award for Best Picture. [6] It is the first sound film of the play in English. Olivier's Hamlet is the Shakespeare film that has received the most prestigious accolades, winning the Academy Awards for Best Picture and Best Actor and the Golden Lion at the Venice Film Festival. However, it ...
The title of the novel is derived from a quote by Polonius in William Shakespeare's Hamlet (Act 1, scene 3): "This above all: to thine own self be true,/ And it must follow, as the night the day,/ Thou canst not then be false to any man." [1]
Over fifty films of William Shakespeare's Hamlet have been made since 1900. [1] Seven post-war Hamlet films have had a theatrical release: Laurence Olivier's Hamlet of 1948; Grigori Kozintsev's 1964 Russian adaptation; a film of the John Gielgud-directed 1964 Broadway production, Richard Burton's Hamlet, which played limited engagements that same year; Tony Richardson's 1969 version (the first ...
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