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Piano Man is the second studio album by American recording artist Billy Joel, released on November 14, 1973, by Columbia Records. [8] The album emerged from legal difficulties with Joel's former label, Family Productions, and ultimately became his first breakthrough album.
Initially, "Piano Man" was a moderate hit in the US. However, following the 1977 release of Joel's album The Stranger, the song became one of his best-known and best-loved songs. [18] During the first Face to Face tour featuring Elton John and Joel, ads promoted the event as "Rocket Man meets Piano Man". [19]
The album documented their first six months together and contains studio renditions of much of their early live set. To promote the forthcoming album they opened some shows at the end of 1968 for the Who, who played a short theatre tour with Arthur Brown. The group's second studio album, Free, was recorded and released in 1969 on Island Records ...
Joel’s previous single, “All My Life,” arrived in 2007, and his last full-length studio album of new material, the classical music collection “Fantasies & Delusions,” was released in 2001.
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In 2004, he recorded an album of songs by his father, Andrew Sings Tosh: He Never Died. In 2007, he announced that he was working on his fourth studio album, Focus. [6] 2010, he released an acoustic album dedicated to his father, Legacy: An Acoustic Tribute to Peter Tosh produced by himself, his girlfriend Dawn Simpson and legendary Handel Tucker.
Gwendolyn Guthrie (July 9, 1950 – February 3, 1999) [2] was an American singer-songwriter and pianist [1] who also sang backing vocals for Aretha Franklin, Billy Joel, Stevie Wonder, Peter Tosh, The Limit and Madonna, among others, and who wrote songs made famous by Ben E. King, Angela Bofill and Roberta Flack. [3]
Mystic Man is the fourth studio album by Peter Tosh. All songs were composed by Peter Tosh. It was released in 1979 by Rolling Stones Records (his second album for the label), EMI, and Intel Diplo (in Jamaica). The album's cover photo, by Annie Leibovitz, shows Tosh's head in profile, with his head cupped in his hands, as if in prayer. [1] Sw.