Search results
Results from the WOW.Com Content Network
Machen's popularity in 1920s America has been noted, and his work was an influence on the development of the pulp horror found in magazines like Weird Tales and on such notable fantasy writers as James Branch Cabell, Clark Ashton Smith, Robert E. Howard, [17] Frank Belknap Long (who wrote a tribute to Machen in verse, "On Reading Arthur Machen ...
Download as PDF; Printable version; In other projects Wikidata item; ... Pages in category "Works by Arthur Machen" The following 5 pages are in this category, out of ...
The Great God Pan is an 1894 horror and fantasy novella by Welsh writer Arthur Machen. Machen was inspired to write The Great God Pan by his experiences at the ruins of a pagan temple in Wales. What would become the first chapter of the novella was published in the newspaper The Whirlwind in 1890.
"The White People" is a horror short story by Welsh author Arthur Machen. Written in the late 1890s, it was first published in 1904 in Horlick's Magazine, edited by Machen's friend A. E. Waite, then reprinted in Machen's collection The House of Souls (1906).
Comprehensive biographical resource including British and Irish artists up to the year 1900 or so. Cyclopedia of painters and paintings, by J. D. Champlin & C. C. Perkins (New York: C. Scribner's sons, 1913). Illustrated with b/w drawings of art, artists and their monograms: Volume 1 (Aagaard to Dyer) Volume 2 (Eakins to Kyhn) Volume 3 (Laar to ...
The foundational documents of the original Order of the Golden Dawn, known as the Cipher Manuscripts, are written in English using the Trithemius cipher. The manuscripts give the specific outlines of the Grade Rituals of the Order and prescribe a curriculum of graduated teachings that encompass the Hermetic Qabalah , astrology , occult tarot ...
In the case of Arthur, the writers drew on 9/11 in the Season 7 episode, "April 9th," which premiered in November 2002. "It was another way to talk with kids about something scary that happens and ...
Machen drew copiously on his own early years in Wales and London, and the book as a whole is an exploration through imagination of a potential fate which he personally avoided. One of the first explorations in fiction of the figure of the doomed artist, who is biographically so much a part of the decadent 1890s.