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The short story "Neighbors" by Raymond Carver has a plot that follows the exploits of Bill and Arlene Miller who are left to take care of the Stone's apartment. The plot is chronological and despite a few memories of the characters, the action begins when the Stones leave for their trip and ends after the Millers have gone through their apartment.
Raymond Clevie Carver Jr. (May 25, 1938 – August 2, 1988) was an American short story writer and poet.He published his first collection of stories, Will You Please Be Quiet, Please?, in 1976.
Carver's widow, Tess Gallagher, fought with Knopf for permission to republish the 17 stories in What We Talk About When We Talk About Love as they were originally written by Carver. [5] These original versions eventually appeared in Beginners, published by Jonathan Cape in 2009, and in the Library of America volume Collected Stories. [6]
Everything Must Go received positive reviews and has a score of 73% on Rotten Tomatoes based on 130 reviews with an average rating of 6.7 out of 10. The critical consensus states: "It may not improve on the Raymond Carver short story that inspired it, but Everything Must Go resists cliche and boasts a pair of magnetic performances from the perfectly cast Ferrell and Wallace."
In August 1998, three years after Carol Polsgrove described Lish's heavy editing of Raymond Carver's Neighbors and published a facsimile page showing the editing, [19] The New York Times Magazine published an article by D. T. Max [20] about the extent of Lish's editing of Carver's short stories which was visible in manuscripts held at the Lilly ...
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In Where I'm Calling From, Carver included some stories as edited by Lish, some restored from his original manuscripts, and some unpublished stories. In the 2000s, Carver's widow, Tess Gallagher, fought with Knopf for permission to republish the 17 stories in What We Talk About When We Talk About Love as they were originally written by Carver. [10]
Will You Please Be Quiet, Please? (1976) was the first major-press short-story collection by American writer Raymond Carver.Described by contemporary critics as a foundational text of minimalist fiction, its stories offered an incisive and influential telling of disenchantment in the mid-century American working class.