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Angel (Michelangelo) El Ángel de la Seguridad Social; Angel in a Cage; Angel of Grief; Angel of Independence; Angel of Peace; Angel of Peace (Mannheim) Angel of Portugal; Angel of the North; Angel of Victory; Angel of Victory (Valdepeñas) Angel with the Crown of Thorns; Angel with the Superscription; The Angelic Symphony; Angelo Nocchiero ...
Catholic art is art produced by or for members of the Catholic Church. This includes visual art (iconography), sculpture, decorative arts, applied arts, and architecture. In a broader sense, Catholic music and other art may be included as well. Expressions of art may or may not attempt to illustrate, supplement and portray in tangible form ...
The interior of the mandorla is usually undecorated, but may contain the symbols for Alpha and Omega (Α and Ω) or, less frequently, depictions of a starry sky or clouds. In a famous Catholic Romanesque fresco of Jesus Christ in Glory in Sant Climent de Taüll , the scriptural inscription Ego Sum Lux Mundi ("I Am the Light of the World") is ...
Characters that fall in the "political or religious" category are given the "general category" So, which is the catch-all category for "Symbol, other", i.e. anything considered a "symbol" which does not fall in any of the three other categories of Sm (mathematical symbols), Sc (currency symbols) or Sk (phonetic modifier symbols, i.e. IPA signs ...
Habakkuk and the Angel is a sculpture created by Gian Lorenzo Bernini c. 1656–61. Standing in a niche in the Chigi Chapel in the Basilica of Santa Maria del Popolo in Rome, it shows the Prophet Habakkuk with the angel of God. It forms a part of a larger composition with the sculpture of Daniel and the Lion diagonally opposite.
Angels Unawares is a bronze sculpture by Timothy Schmalz installed in St. Peter's Square in the Vatican since September 29, 2019, the 105th World Migrant and Refugee Day. This statue was inaugurated by Pope Francis in 2019 for the 105th World Day of Migrants and Refugees.
The angel who rescues Shadrach, Meshach, and Abednego from the "fiery furnace" in the Book of Daniel Chapter 3 is usually regarded in Christian tradition as Michael; this is sometimes represented in Early Christian art and Eastern Orthodox icons, but rarely in later art of the Western church.