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The Stone Breakers (French: Les Casseurs de pierres), also known as Stonebreakers, was an 1849 oil painting on canvas by the French painter Gustave Courbet.Now destroyed, the image remains an often-cited example of the artistic movement Realism.
Gustave Courbet, The Stone Breakers 1849, oil on canvas, first exhibited at the Paris Salon of 1850, destroyed during World War II. Considered to be the first of Courbet's great works, The Stone Breakers of 1849 is an example of social realism that caused a sensation when it was first exhibited at the Paris Salon in 1850. The work was based on ...
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The Salon of 1849 portrayed in a lithograph by Theodor Josef Hubert Hoffbauer. The Salon of 1849 was an art exhibition held in Paris. It was the first to be located at the Tuileries Palace, rather than the traditional venue of the Salon at the Louvre. [1] It was staged during the French Republic which had been established following the ...
It was the first of Courbet's imposing paintings of Ornans subjects; others include The Stone Breakers and A Burial at Ornans. [2] After Dinner at Ornans shows the influence of earlier French masters of genre painting such as Le Nain and Chardin. [3] Courbet exhibited it in the Salon of 1849, where it won a medal and was purchased by the state. [2]
A Burial at Ornans (French: Un enterrement à Ornans, also known as A Funeral at Ornans) is a painting of 1849–50 by Gustave Courbet. It is widely regarded as a major turning point in 19th-century French art. The painting records a funeral in Courbet's birthplace, the small town of Ornans.
In 1851, Gustave Courbet managed to get one painting into the Salon, Enterrement à Ornans, and in 1852 his Baigneuses was accepted, scandalizing critics and the public, who expected romanticized nudes in classical settings, but in 1855 the Salon refused all of Courbet's paintings. As early as the 1830s, Paris art galleries mounted small ...
The Meeting or "Bonjour, Monsieur Courbet" (French: La rencontre, ou "Bonjour Monsieur Courbet") is an oil-on-canvas painting by Gustave Courbet, made in 1854. It depicts the artist on his way to Montpellier meeting his patron Alfred Bruyas , his servant Calas, and his dog Breton.