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The Image Book (French: Le Livre d'image) is a 2018 Swiss avant-garde essay film directed by Jean-Luc Godard.Initially titled Tentative de bleu and Image et parole, [1] in December 2016 Wild Bunch co-chief Vincent Maraval stated that Godard had been shooting the film for almost two years "in various Arab countries, including Tunisia" and that it is an examination of the modern Arabic world. [2]
The Cinémathèque suisse (Swiss Cinematheque), formerly the Archives cinématographiques suisses (Swiss Film Archive), is a Swiss state-approved non-profit foundation headquartered in Lausanne. It aims to collect, protect, study and present film archives. [1] [3] The Swiss Cinematheque has its archives in Penthaz and a branch office in Zürich.
Sequel to the 1952 film Heidi: Uli the Tenant: Franz Schnyder: Hannes Schmidhauser, Liselotte Pulver: Comedy drama: 1956: The Mountains Between Us: Franz Schnyder: Hannes Schmidhauser, Nelly Borgeaud, Peter Arens: Drama: 1957: Der 10. Mai: Franz Schnyder: Entered into the 8th Berlin International Film Festival: The King of Bernina: Alfred ...
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The Magic Mountain (1982 film) The Man from Yesterday; Man to Men; The Man Who Knew Too Much (1934 film) The Man with the Limp; Manolescu, Prince of Thieves; Mary Shelley's Frankenstein (film) The Mask of Dimitrios; A Matter of WHO; Me Before You (film) Meet Me in St. Gallen; Messidor (film) Meteor (film) The Miracle of Bern; The Most Wonderful ...
The film industry based in Switzerland dates to the 1930s. It is influenced by the neighboring countries of France, Germany and Italy, with which it shares languages. Before the mid-1960s Swiss films were often sentimental, but the French New Wave led to more experimental cinema.
Welcome to Switzerland (French: Bienvenue en Suisse) is a 2004 French-Swiss comedy film directed by Léa Fazer. It was screened in the Un Certain Regard section at the 2004 Cannes Film Festival . [ 2 ]
Beresina, or the Last Days of Switzerland (German: Beresina oder Die letzten Tage der Schweiz) is a 1999 satiric comedy film by Swiss director Daniel Schmid.It chronicles the story of Irina, a Russian call girl arriving in Switzerland, whose innocent attempt to live the high life there triggers an unintended coup d'état in the country.