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The sonatas stem from a period late in Brahms's life where he discovered the beauty of the sound and tonal colour of the clarinet. [1] The form of the clarinet sonata was largely undeveloped until after the completion of these sonatas, after which the combination of clarinet and piano was more readily used in composers’ new works. [2]
Op. 120, No. 1, also entitled Opus 120, No. 1 or in its German form, Opus 120, Nr. 1, is a 1986 arrangement for clarinet and orchestra of Johannes Brahms's Clarinet Sonata Op. 120, No. 1 by Italian composer Luciano Berio. As with the original Sonata, the soloist in this arrangement can either be a clarinet or a viola.
Op. 15 Piano Concerto No. 1 in D minor : piano, orchestra 1854–58 original version as Sonata for Two Pianos 1854 (Mvts 2 & 3 are Anh. 2a/2) (discarded), 2nd version as Symphony in D minor in 4 mvts (4th mvt never written) 1854–55 (Mvts 2 & 3 are Anh. 2a/2) (discarded), final version (Piano Concerto) in 3 mvts (only 1st mvt from previous versions, 2nd & 3rd mvts new) 1855–58;
Brahms Clarinet Quintet in B minor, Op. 115 Fine Arts Quartet: 1951, DL 9532 Brahms Sonata for Clarinet and Piano in F minor, Op. 120 No.1 Joel Rosen, piano 1953, DL 9639 Brahms Sonata for Clarinet and Piano in E ♭ major, Op. 120 No.2 Joel Rosen, piano 1953, DL 9639 Brahms Trio for Clarinet, Cello and Piano in A minor, Op. 114
Johannes Brahms: Clarinet Sonata No. 1 (1894) Clarinet Sonata No. 2 (1894) William Henry Hadow: Clarinet Sonata (1897) [5] Max Reger: Clarinet Sonata No. 1 (1900) Clarinet Sonata No. 2 (1900) Clarinet Sonata No. 3 (1909) Donald Francis Tovey: Clarinet Sonata in B-flat major, Op. 16 (1906) [6] Charles Villiers Stanford: Clarinet Sonata, Op. 129 ...
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PNINA SALZMAN Vol. 2, BRAHMS: Trio for Piano, Clarinet and Cello in A minor Op. 114, Sonata for Clarinet and Piano in F minor Op. 120 No. 1, Sonata for Clarinet and Piano in E♭ major Op. 120 No. 2. Yona Ettlinger (clarinet), Pnina Salzman (piano), Uzi Wiesel (cello). Recorded live, Jerusalem, 1975. Doremi Records, DHR-7830.
The first movement is in conventional sonata form with a repeated exposition. The opening of the first theme resembles the opening of Beethoven's "Hammerklavier" Sonata. [1] [2] The second movement is a theme and variations inspired by the song Verstohlen geht der Mond auf. Brahms was to rewrite it for female chorus in 1859 (WoO 38/20).