Search results
Results from the WOW.Com Content Network
The latter portion of the essay is dedicated to Eliot's criticism of Hamlet based on his concept of the objective correlative. He begins by arguing that the greatest contributor to the play's failure is Shakespeare's inability to express Hamlet's emotion in his surroundings and the audience's resultant inability to localize that emotion.
Eliot famously called Hamlet "an artistic failure", and criticized the play as analogous to the Mona Lisa, in that both were overly enigmatic. Eliot targeted Hamlet's disgust with his mother as lacking an "objective correlative"; viz., his feelings were excessive in the context of the play.
It seems to be in deference to this principle that Eliot famously described the play Hamlet as "most certainly an artistic failure": Eliot felt that Hamlet's strong emotions "exceeded the facts" of the play, which is to say they were not supported by an "objective correlative". He acknowledged that such a circumstance is "something which every ...
During the Victorian era, Quillian argues, there was an "enormous and positive hold that Hamlet exerted on the literary imagination." [2] This was followed by a "shift in perception" [3] during the period of Modernism (c. 1911–1922) when T. S. Eliot and James Joyce condemned the play as a "failure."
For premium support please call: 800-290-4726 more ways to reach us
For premium support please call: 800-290-4726 more ways to reach us
The Tragedy of Hamlet, Prince of Denmark, often shortened to Hamlet (/ ˈ h æ m l ɪ t /), is a tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play.
AOL latest headlines, entertainment, sports, articles for business, health and world news.