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Fancy pictures are a sub-genre of genre paintings in 18th-century English art, featuring scenes of everyday life but with an imaginative or storytelling element, usually sentimental. The usage of the term varied, and there was often an overlap with the conversation piece, a type of group portrait showing the subjects engaged in some activity.
18th; 19th; 20th; 21st; 22nd; 23rd; Subcategories. This category has the following 11 subcategories, out of 11 total. B. ... Pages in category "18th-century portraits"
The exhibition catalog included detailed discussions of 85 paintings from various collection holders, that together give an overview of four basic aspects of daily life in 17th-century portraits of children and families from the Low Countries: family values, educating children, children at play, and children's fashions. [3]
Most of the 18th-century portraits occupy a placid middle ground between the styles of the two dominant male artists of the time, Thomas Gainsborough and Joshua Reynolds, typified by Katherine ...
18th century MuMa Museum of modern art André Malraux: Helmingham Dell. Vallon dans le parc de Helmingham: 1800s Department of Paintings of the Louvre: Vue de Salisbury: 1800s Department of Paintings of the Louvre: The White Horse: 1819 The Frick Collection: Salisbury Cathedral from the Bishop's Garden: 1800s Metropolitan Museum of Art
Thomas Gainsborough RA FRSA (/ ˈ ɡ eɪ n z b ər ə /; 14 May 1727 (baptised) – 2 August 1788) was an English portrait and landscape painter, draughtsman, and printmaker.Along with his rival Sir Joshua Reynolds, [1] he is considered one of the most important British artists of the second half of the 18th century. [2]
Portraits of individual children became more common than they had been in the seventeenth century and the idea of the "innocence" of childhood began to take root based on the view that the child was an uncorrupted blank slate as advocated by John Locke in his book Some Thoughts Concerning Education (1693).
Post-mortem photography was common in the nineteenth century. [5] As photography was a new medium, it is plausible that many daguerreotype post-mortem portraits, especially those of infants and young children, were probably the only photographs ever made of the sitters [clarification needed].
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