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John Donne's poetry represented a shift from classical forms to more personal poetry. Donne is noted for his poetic metre, which was structured with changing and jagged rhythms that closely resemble casual speech (it was for this that the more classical-minded Ben Jonson commented that "Donne, for not keeping of accent, deserved hanging"). [15]
Sonnet II", also known by its opening words as "As Due By Many Titles", is a poem written by John Donne, who is considered to be one of the representatives of the metaphysical poetry in English literature. It was first published in 1633, two years after Donne’s death. It is included in the Holy Sonnets – a
John Donne, A Help to Memory and Discourse, including The Broken Heart and part of "Song" ("Go and catch a falling star ...") [1] Michael Drayton, The Muses Elizium [2] Thomas May, A Continuation of Lucan's Historicall Poem Till the Death of Julius Caesar (see also Lucan's Pharsalia 1626, 1627) [2]
Harmonium is a composition for chorus and orchestra by the American composer John Adams, written in 1980-1981 for the first season of Davies Symphony Hall in San Francisco, California. The work is based on poetry by John Donne and Emily Dickinson and is regarded as one of the key compositions of Adams' "minimalist" period. [1]
Pages in category "Poetry by John Donne" The following 15 pages are in this category, out of 15 total. ... Batter my heart, three-person'd God; C. The Canonization; D.
There is a poem of John Donne, written just before his death, which I know and love. From it a quotation: "As West and East / In all flatt Maps—and I am one—are one, / So death doth touch the Resurrection." That still does not make a Trinity, but in another, better known devotional poem Donne opens, "Batter my heart, three-person'd God;—."
Poetry by John Donne (15 P) Prose works by John Donne (6 P) This page was last edited on 17 May 2024, at 05:10 (UTC). Text is available under the Creative Commons ...
He assigned the first line of each poem as the song title, since Emily Dickinson had not written a title for any of the pieces. The exception is "The Chariot," which was Dickinson's original published title. Each song is dedicated to a composer friend. The sequence, with dedicatees, is: Nature, the Gentlest Mother (David Diamond)