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Pages in category "Poetry by John Donne" The following 15 pages are in this category, out of 15 total. ... Batter my heart, three-person'd God; C. The Canonization; D.
John Donne, A Help to Memory and Discourse, including The Broken Heart and part of "Song" ("Go and catch a falling star ...") [1] Michael Drayton, The Muses Elizium [2] Thomas May, A Continuation of Lucan's Historicall Poem Till the Death of Julius Caesar (see also Lucan's Pharsalia 1626, 1627) [2]
John Donne's poetry represented a shift from classical forms to more personal poetry. Donne is noted for his poetic metre, which was structured with changing and jagged rhythms that closely resemble casual speech (it was for this that the more classical-minded Ben Jonson commented that "Donne, for not keeping of accent, deserved hanging"). [15]
Musical settings of poems by John Donne (4 P) W. Works by John Donne (2 C) Pages in category "John Donne" The following 5 pages are in this category, out of 5 total.
Poetry by John Donne (15 P) Prose works by John Donne (6 P) This page was last edited on 17 May 2024, at 05:10 (UTC). Text is available under the Creative Commons ...
There is a poem of John Donne, written just before his death, which I know and love. From it a quotation: "As West and East / In all flatt Maps—and I am one—are one, / So death doth touch the Resurrection." That still does not make a Trinity, but in another, better known devotional poem Donne opens, "Batter my heart, three-person'd God;—."
Sir John kneels at left, Lady Donne and a daughter at right. Sir John Donne (c.1420s – January 1503) [1] was a Welsh courtier, diplomat and soldier, a notable figure of the Yorkist party. In the 1470s, he commissioned the Donne Triptych, a triptych altarpiece by Hans Memling now in the National Gallery, London. It contains portraits of him ...
The poem has been set to music by Aaron Copland as the twelfth song of his song cycle Twelve Poems of Emily Dickinson. John Adams set the poem to music as the second movement of his choral symphony Harmonium. It has also been set to music by Natalie Merchant (on Retrospective: 1995–2005).