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"I Could Not Ask for More" is a song composed by American songwriter Diane Warren and originally recorded and released in February 1999, by American singer-songwriter Edwin McCain for the original soundtrack of the 1999 romantic drama film Message in a Bottle, starring Kevin Costner, Robin Wright Penn and Paul Newman.
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
"I Can't Ask for Anymore Than You" was written by Ken Gold and Michael Denne. Produced by Bruce Welch , it features Richard signing in falsetto , something he hadn't done before. Tony Rivers has said that "the original demo featured Mick singing the lead vocals in his high voice and Bruce liked it so much he kept it in the same key, and got ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
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Other chord qualities such as major sevenths, suspended chords, and dominant sevenths use familiar symbols: 4 Δ 7 5 sus 5 7 1 would stand for F Δ 7 G sus G 7 C in the key of C, or E ♭ Δ 7 F sus F 7 B ♭ in the key of B ♭. A 2 means "add 2" or "add 9". Chord inversions and chords with other altered bass notes are notated analogously to ...
"One More Time" is a song by the British new wave musician Joe Jackson. It was released as the third single from his debut album, Look Sharp!, in 1979. Inspired by a breakup Jackson had, the song features a guitar riff and lyrics detailing a collapsing relationship. "One More Time" was released as a single, but did not see any chart success.
The tonic, subdominant, and dominant chords, in root position, each followed by its parallel. The parallel is formed by raising the fifth a whole tone.. The minor tonic, subdominant, dominant, and their parallels, created by lowering the fifth (German)/root (US) a whole tone.