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Costume for a Knight, by Inigo Jones: the plumed helmet, the "heroic torso" in armour and other conventions were still employed for opera seria in the 18th century.. The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the ...
The historian Leeds Barroll prefers the title, Masque of the Orient Knights. [3] Eight courtiers masqueraded as Indian and Chinese knights in Great Hall of Hampton Court on New Year's day 1604 The Masque of Knights was produced by Ludovic Stewart, 2nd Duke of Lennox King James reminded the audience of a famous performing horse, Marocco
The Masque of the Inner Temple and Gray's Inn, also known as, The Masque of the Olympic Knights, is an English masque created in the Jacobean period. It was written by Francis Beaumont and is known to have been performed on 20 February 1613 in the Banqueting House at Whitehall Palace, as part of the elaborate wedding festivities surrounding the marriage of Princess Elizabeth, the daughter of ...
Masque at Ashby Castle; Masque at the baptism of Prince Henry; The Masque of Indian and China Knights; The Masque of the Inner Temple and Gray's Inn; The Memorable Masque of the Middle Temple and Lincoln's Inn; Momus
The folios contain two works that are generally thought to be the work of Beaumont alone – The Knight of the Burning Pestle and The Masque of the Inner Temple and Gray's Inn – and fifteen that are solo efforts by Fletcher, and perhaps a dozen that are actual Beaumont/Fletcher collaborations. The rest are Fletcher's collaborations with ...
According to the "Form and Ordering" this ceremony took place after the making of knights, before the feast and masque. [83] Melville wrote that Anne of Denmark spoke to the English, the Danish, and the German ambassadors from Mecklenburg and Brunswick in their own languages, but asked him to interpret her speech into French for the Dutch ...
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The masque was lavishly sponsored by the four Inns of Court, through a political and social motive.In 1632 the Puritan controversialist William Prynne (himself an Inns of Court man) had dedicated his anti-theatre diatribe Histriomastix to the Inns; since Histriomastix was perceived as insulting to Queen Henrietta Maria, the masque was the Inns' signal of their total rejection of any connection ...