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Costume for a Knight, by Inigo Jones: the plumed helmet, the "heroic torso" in armour and other conventions were still employed for opera seria in the 18th century.. The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the ...
In his preceding masques, Jonson had been experimenting with elements of sharper opposition and variety: The Masque of Blackness and The Masque of Beauty (), both written for and featuring Queen Anne, form a contrasting and complementary pairing; Hymenaei contained two contrasting sets of masquers; and The Hue and Cry After Cupid (1608) featured twelve boy torchbearers "in antic attire."
Mexican mask-folk art refers to the making and use of masks for various traditional dances and ceremony in Mexico. Evidence of mask making in the region extends for thousands of years and was a well-established part of ritual life in the pre-Hispanic territories that are now Mexico well before the Spanish conquest of the Aztec Empire occurred.
While, in most cases, commercial masks are (more or less faithful) reproductions of traditional masks, this connection is weakening over time, as the logics of mass-production make it harder to identify the actual geographical and cultural origins of the masks found in such venues as curio shops and tourist markets.
The Masque of Blackness was an early Jacobean era masque, first performed at the Stuart Court in the Banqueting Hall of Whitehall Palace on Twelfth Night, 6 January 1605. It was written by Ben Jonson at the request of Anne of Denmark , the queen consort of King James I , who wished the masquers to be disguised as Africans .
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Flip 3 is a challenging version of solitaire in which three cards are played at a time. ... Masque Publishing. Arkadium Codeword. Play. Masque Publishing. ... Casual Style. Play. Masque Publishing ...
The so-called 'Mask of Agamemnon', a 16th-century BC mask discovered by Heinrich Schliemann in 1876 at Mycenae, Greece, National Archaeological Museum, Athens The word "mask" appeared in English in the 1530s, from Middle French masque "covering to hide or guard the face", derived in turn from Italian maschera, from Medieval Latin masca "mask, specter, nightmare". [1]