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Femme au Chien (English: Woman with dog) is an oil-on-canvas painting by Pablo Picasso, which he painted in 1962.It is a portrait of Picasso's second wife, Jacqueline Roque, and their dog Kaboul, an Afghan Greyhound.
Jacqueline Picasso or Jacqueline Roque (24 February 1926 – 15 October 1986) was the muse and second wife of Pablo Picasso. Their marriage lasted 12 years until his death, during which time he created over 400 portraits of her, more than any of Picasso's other lovers.
Bust of a Seated Woman (Jacqueline Roque) is an oil painting by the Spanish artist Pablo Picasso, painted between 2 April and 10 May 1960. [1] It depicts Jacqueline Roque, a woman with whom he had started a relationship in 1954, after his divorce from Françoise Gilot, and who he would marry in 1961.
This portrait reflects the artist's evolving relationship with Marie-Thérèse Walter during this period of their relationship. Prior to producing this work, Picasso had depicted his relationship with Walter as a blissful partnership, illustrated by the many sensual portraits that he created of her in 1932, which has led to her being described as Picasso's "Golden Muse".
Woman in a Red Armchair (French: Femme au fauteuil rouge) is an oil on canvas painting by artist Pablo Picasso. It was painted in 1929 and is housed at the Menil Collection in Houston, Texas. The painting was influenced by Surrealism and may be a portrait of Picasso's first wife, Olga Khokhlova, whom he married in 1918. It was vandalised while ...
Picasso approached her and said, "You have an interesting face. I would like to do a portrait of you. I am Picasso". Walter was unfamiliar with his name but was flattered by the attention. The relationship began after Picasso invited Walter to visit his studio on 11 January 1927, which was situated on the floor above his apartment on Rue La ...
Girl before a Mirror (French: Jeune fille devant un miroir) is an oil on canvas painting by Pablo Picasso, which he created in 1932.The painting is a portrait of Picasso's mistress and muse, Marie-Thérèse Walter, who is depicted standing in front of a mirror looking at her reflection.
Picasso's affair with Marie-Therese was a secret, and she would gradually usurp the throne then occupied by Olga Khokhlova, the artist's legal wife. Marie-Therese will be subject to constant transformations. Some range from portraits that are instantly recognizable to transcendent universal symbols.
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