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Laura Mulvey (born 15 August 1941) [1] is a British feminist film theorist and filmmaker. She was educated at St Hilda's College, Oxford . She is currently professor of film and media studies at Birkbeck, University of London .
While Laura Mulvey's paper has a particular place in the feminist film theory, it is important to note that her ideas regarding ways of watching the cinema (from the voyeuristic element to the feelings of identification) are important to some feminist film theorists in terms of defining spectatorship from the psychoanalytical viewpoint.
The concept was first articulated by British feminist film theorist Laura Mulvey in her 1975 essay, "Visual Pleasure and Narrative Cinema". Mulvey's theory draws on historical precedents, such as the depiction of women in European oil paintings from the Renaissance period, where the female form was often idealized and presented from a ...
As discussed in Laura Mulvey's essay "Visual Pleasure and Narrative Media," [26] within the film and media sphere, men make up the majority of directors, cinematographers, and camera crew, limiting the aspects in which the female gaze gets produced," the underrepresentation of the female perspective on screen is tied to the female ...
In her writing on feminist film theory, Mulvey has argued that, if the dominant cinema produces pleasure through scopophilia which favours the male gaze and festishization of woman as object, then alternative versions of cinema need to construct different forms of pleasure based on psychic relations that adopt a feminist perspective. [4]
Many feminist film critics, such as Laura Mulvey, have pointed to the "male gaze" that predominates in classical Hollywood film making. Through the use of various film techniques , such as shot reverse shot , the viewers are led to align themselves with the point of view of a male protagonist.
Male gaze theory, popularized by Laura Mulvey, is a concept many feminist film critics have pointed to in classical Hollywood film-making. Laura Mulvey's theory on the Male Gaze describes how viewers respond to visual content. The term "male gaze" describes a sexualized form of seeing that allows men to objectify women.
Laura Mulvey, a British film critic and feminist, similarly critiqued traditional media representations of the female character in cinema. [9] In her 1975 essay Visual Pleasure and Narrative Cinema, Mulvey discusses the association between activity and passivity to gender.