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HOT WIRE: The Journal of Women's Music and Culture was a women's music magazine published three times a year from 1984–1994. [ 26 ] [ 27 ] It was founded in Chicago by volunteers Toni Armstrong Jr., Michele Gautreaux, Ann Morris and Yvonne Zipter; Armstrong Jr. became the sole publisher in 1985. [ 28 ]
The 1990s also saw a sizable movement of pro-women's rights protest songs from many musical genres as part of the Third-wave feminism movement. Ani DiFranco was at the forefront of this movement, protesting sexism, sexual abuse, homophobia, reproductive rights as well as racism, poverty, and war. Her "Lost Woman Song" (1990) concerns itself ...
"The Equal-Rights Banner" An American anthem for women's voting rights, the lyrics were written by Reverend C. C. Harrah, sung to the tune of "The Star-Spangled Banner". The second verse mentions the evil of "License", referring to alcohol abuse by men, a central issue for women in the Temperance movement. [1] 1891 (text) c.1890s (music)
Similarly in 1917, music was used again in the fight for women's rights when six women were arrested for protesting outside of the White House. [21] In response the women formed a song service which sparked song competitions across the country wherein the public could write and submit their own suffragist music.
"Respect" has appeared in dozens of films and still receives consistent play on radio stations. In the 1970s, Franklin's version of the song came to exemplify the feminist movement. [26] Producer Wexler said in a Rolling Stone interview, that Franklin's song was "global in its influence, with overtones of the civil-rights movement and gender ...
The Michigan Womyn's Music Festival, often referred to as MWMF or Michfest, [1] was a lesbian feminist women's music festival held annually from 1976 to 2015 in Oceana County, Michigan, on privately owned woodland near Hart Township referred to as "The Land" by Michfest organizers and attendees.
Women make up half of music festival attendees — and therefore, make these festivals a ton of money — so why aren’t the festivals catering their acts to female attendees? The root of the disconnect between the number of women on stage and the number of women in the crowd may lie partially in the male-dominated subcultures these festivals ...
Timeline of music in the United States To 1819 1820–1849 1850–1879 1880–1919 1920–1949 1950–1969 1970–present Music history of the United States Colonial era – to the Civil War – During the Civil War – Late 19th century – 1900–1940 – 1950s – 1960s – 1970s – 1980s This article needs to be updated. Please help update this article to reflect recent events or newly ...