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The acoustic sound came from a bridge mounted transducer manufactured by L.R. Baggs for Gibson with a proprietary active pre-amp. The SST had controls for volume as well as boost and cut for both treble and bass signals. The SST was offered in five finishes: natural, ebony, white, burgundy and cherry sunburst.
The "Tweed" 5F10 model, [2] launched in 1955, but not in time for the Fender catalog of that year, [3] was a 10-watt amplifier utilising a 6AV6 (from 1956 a 6AT6) preamplifier tube, 12AX7 phase inverter tube, [note 1] a pair of 6V6GT power amplifier tubes, and one 5Y3GT rectifier tube, [4] with a Jensen P10R 10-inch speaker. The amplifier had a ...
Two channels, Reverb Accutronix, 2 way Footswitch, 12' Celestion V30, Black tolex, Black grill cloth. Custom Special 50 – 50 watt class AB/15 watt class 'A' amp. 2 x 5881s, 3 x 12AX7s Channel Independent Tone Control, 12 inch Celestion speaker. Custom Valve 80 – 80 watt class AB amp. 4 x 5881s, 3 x 12AX7s, 2 x 12 inch Celestion 70/80 speakers
This resulted in the Bandmaster Reverb having reduced power over the standard model and increased sag and power amp break up. The revised circuit also places the gain stage within the reverb recovery circuit which causes the amp to break up earlier. These series amps offer the designations AA768, AA568, AA1069 and TFL5005.
Dumble was a guitar amplifier manufacturer in Los Angeles, California. A Dumble Overdrive Special . In the one-person operation, Alexander "Howard" Dumble (June 1, 1944 – January 16, 2022) [1] [2] made each amp personally. Because of this, Dumble amplifiers are the most expensive boutique amplifiers on the used market, [3] and
Mesa-Boogie Mark IV, a guitar combo amplifier. A guitar amplifier (or amp) is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet.
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