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The Symphony No. 3 in E ♭ major, Op. 55, (also Italian Sinfonia Eroica, Heroic Symphony; German: Eroica, pronounced [eˈʁoːikaː] ⓘ) is a symphony in four movements by Ludwig van Beethoven. One of Beethoven's most celebrated works, the Eroica symphony is a large-scale composition that marked the beginning of the composer's innovative ...
Symphony in C-sharp minor (1902) Joseph Martin Kraus. Symphony in C-sharp minor, VB 140. Identified by musicologist Bertil H. van Boer in program notes for the Naxos recording as one of only two C-sharp minor symphonies written in the 18th century. Gustav Mahler. Symphony No. 5 (1902) - Mahler objected to this key assignment, preferring none at all
Maurice Ravel selected C-sharp major as the tonic key of "Ondine" from his piano suite Gaspard de la nuit. Erich Wolfgang Korngold composed his Piano Concerto for the Left Hand, Op. 17, in C-sharp. The Allegro de concierto by Spanish composer Enrique Granados is written in C-sharp major.
His Eroica Symphony, Emperor Concerto and Grand Sonata are all in this key. Beethoven's (hypothetical) 10th Symphony is also in E-flat. But even before Beethoven, Francesco Galeazzi identified E-flat major as "a heroic key, extremely majestic, grave and serious: in all these features it is superior to that of C." [1]
Op. 26 in A-flat major contains a 'marcia funebre' which foreshadows that of the 'Eroica' symphony; Op. 27, no. 2 in C-sharp minor 'Quasi una fantasia' (the famous 'Moonlight' sonata) has the dramatic sonata form movement come last instead of first, and Op. 31, No. 3 in E-flat major contains both a scherzo and a minuet, sacrificing a slow movement.
[2] [3] Plantinga theorizes that a source may be Clementi's Piano Sonata in F minor, Op. 13, No. 6 (composed in 1784), where the first seven or eight notes of the Eroica theme can be matched, with a simpler rhythm, with the beginning of the third movement (in a minor key), and later to the melody in a major key (the Eroica theme is in a major ...
However, some of these works were also given descriptive sub-titles by Beethoven himself: for example, he sub-titled the 3rd Symphony "Eroica", and the 6th Symphony "Pastoral". Others were given nicknames by publishers or others: for example, the Piano Sonata No. 14 is called "Moonlight" and the Piano Trio No. 7 is known as the "Archduke".
Symphony in C-sharp minor, Op. 36a (1932, Adapted from String Quartet Op. 36) Sergei Prokofiev: Symphony No. 7, Op. 131 (1952) Ture Rangström: