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The Blasters toured almost continuously for much of their heyday. The notes for The Blasters Collection observed that in one particular month, they toured with a wide range of acts: the all-girl band The Go-Go's, psychobilly pioneers the Cramps, with western swing revivalists Asleep at the Wheel and on a leg of Queen's west coast tour.
Hard Line is the fourth album by the American roots rock band the Blasters, released in 1985. [7] [8] Dave Alvin quit the band shortly after the album's release. [9]The album peaked at No. 86 on the Billboard 200.
The Blasters tried recording 4-11-44 twice, as a live album, but issues with record labels prevented a release. [6] They were without Dave Alvin; the lineup that recorded 4-11-44 had been playing together for a decade. [7] Phil Alvin and bass player John Bazz were the only founding members to participate in the recording sessions. [8] "
The Blasters was critically well received. Reviewing the album in 1982 for The Village Voice, Robert Christgau said that Phil Alvin has "easily the most expressive vocal style in all of nouveau rockabilly", while "Dave Alvin's originals introduce a major songwriter, one with John Fogerty's bead on the wound-tight good times of America's tough white underbelly, though his focus is shallower ...
Alvin grew up in Downey, California in a music-loving family where he and his younger brother Dave Alvin were exposed to blues, rockabilly, and country.Inspired and influenced by the music they grew up with, Phil and Dave formed the rock and roll band The Blasters in the late 1970s with fellow Downey residents Bill Bateman and John Bazz. [2]
In 2000, he recorded the album Public Domain: Songs From the Wild Land, a collection of traditional folk and blues classics, which earned him a Grammy award for Best Contemporary Folk Album. [1] In 2011, Alvin recorded the album Eleven Eleven, released by Yep Roc Records. The album marked his return to rock roots. [8]
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The album was produced by the Blasters; the band intended for it to be a concept album about "lost dreams," and a refutation of their revivalist music party image. [7] [8] "Long White Cadillac" is dedicated to Hank Williams. [9] "Tag Along" is a cover of the Rocket Morgan song. [10]