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The Yes Album is the third studio album by English progressive rock band Yes, released in the UK on 19 February 1971 and in the US on 19 March 1971 by Atlantic Records. [4] [5] It was the band's first album to feature guitarist Steve Howe, who replaced Peter Banks in 1970, as well as their last to feature keyboardist Tony Kaye until 1983's 90125.
1989: Anderson Bruford Wakeman and Howe album, Arista; 1991: The Classical Connection II by Rick Wakeman, including an archival track with Squire, Bruford and Howe; 1995: Tales from Yesterday, a Yes tribute album, with appearances by Howe, Banks, Moraz and Sherwood
Alan White solo (White) including "One Way Rag" (Colin Gibson, Kenny Craddock) from his 1976 solo album Ramshackled (Dropped after 31 May 1976) "Song of Innocence" (William Blake, Pete Kirtley) from Ramshackled (Dropped after 6 June 1976) "Cachaça (Baião)" (Moraz) from Patrick Moraz's 1976 solo album The Story of I (Dropped after 31 May 1976)
In 2002, Rhino Records issued In a Word: Yes, a five CD box set of classic, rare and unreleased tracks from the band's history, including some from the 1979 Paris sessions, followed a year later by the compilation album The Ultimate Yes: 35th Anniversary Collection, which reached number 10 in the UK charts, [29] their highest-charting album ...
The Steven Wilson Remixes is a box set by the English progressive rock band Yes.Released on 29 June 2018, it compiles remixed versions of five of the band's albums—The Yes Album (1971), Fragile (1971), Close to the Edge (1972), Tales from Topographic Oceans (1973), and Relayer (1974)—overseen by Steven Wilson.
Yes is the debut studio album by English rock band Yes, first released in the UK on 25 July 1969 [2] and later in the US on 15 October 1969 by Atlantic Records. [3] [4] After forming in the summer of 1968, the band toured extensively across the United Kingdom with sets comprising both original material and rearranged cover versions.
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In January 1974, Squire picked The Yes Album and Tales from Topographic Oceans as the two most personally satisfying Yes albums "in terms of being captivated". [21] In 1984, after Yes had released 90125 (1983), Anderson looked back on Tales from Topographic Oceans as "difficult in some respects", but felt it was "stupid to even think about ...
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