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The High Priestess supervised the city cult of Athena, enshrined in the Parthenon, and was the chief of the lesser officials such as the plyntrides, arrephoroi and kanephoroi. [2] Athena Polias ("Athena of the City") was one of the three divine patrons of the Acropolis of Athens, the other two being served by the High Priest of Poseidon ...
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The Erechtheion [2] (/ ɪ ˈ r ɛ k θ i ə n /, latinized as Erechtheum / ɪ ˈ r ɛ k θ i ə m, ˌ ɛ r ɪ k ˈ θ iː ə m /; Ancient Greek: Ἐρέχθειον, Greek: Ερέχθειο) or Temple of Athena Polias [3] is an ancient Greek Ionic temple on the north side of the Acropolis, Athens, which was primarily dedicated to the goddess Athena.
An Arrephoros (Ancient Greek: Ἀρρήφορος) was a girl acolyte in the cult of Athena Polias on the Athenian Acropolis.They were seven to eleven years old. According to Pausanias, [1] two Arrephoroi lived for a year on the Acropolis and concluded their term with a mystery rite called the Arrhephoria: they carried unknown objects into a cavern, and there exchanged them for other unknown ...
The new statue remained of Athena but was a copy of the gold and ivory version by Phidias in Athens. [26] It was a standing statue of Athena, with calm facial expression and holding a spear and a shield, wearing a helmet. [27] The statue was 6.5 m (21 ft) tall and three times smaller than the Athenian original. [27]
A statue of this aspect of Athena was constructed in the Hephaisteion next to the cult statue of Hephaestus in 343 B.C. [2] ‘Athena Ergane’ was a specific title given to Athena as the patron of crafts, particularly weaving. Under this moniker, she was the goddess of all handicrafts, or functional artwork.
The cult image of the Poliás was a wooden effigy, often referred to as the "xóanon diipetés" (the "carving that fell from heaven"), made of olive wood and housed in the east-facing wing of the Erechtheum temple in the classical era. Considered not a man-made artefact but of divine provenance, it was the holiest image of the goddess and was ...
A colossal marble horse from the quadriga on top of the Mausoleum at Halicarnassus, a sculpture group made by Pythius. British Museum. Pythius together with Arcesius and Hermogenes disparaged the Doric order, according to Vitruvius (IV.3.1), for the "faults and incongruities" caused by the frieze of triglyphs, which required altering the regular spacing of columns at the corners ("the Doric ...