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Charles Rennie Mackintosh (7 June 1868 – 10 December 1928) was a Scottish architect, designer, water colourist and artist. His artistic approach had much in common with European Symbolism.
In the luncheon room the murals and door panels had a rose pattern theme. The furniture was designed by Mackintosh, introducing for the first time his characteristic high-backed chairs. [14] In 1900 Kate Cranston gave Mackintosh the opportunity to redesign an entire room, at the Ingram Street tearoom.
Mackintosh chairs Charles Rennie Mackintosh Chair (1917) Massage chair, has electromechanical devices to massage the occupant. Another kind of massage chair is one used by a therapist on which the client sits in an inverted position with the back facing the massage therapist. There is a headrest like that of the common massage table for the face.
The Artist's Cottage project is the realisation of three previously unexecuted designs by Scottish architect Charles Rennie Mackintosh.In 1901, Mackintosh produced two speculative drawings, An Artist's Cottage and Studio [1] and A Town House for an Artist.
The restoration of no 217 included extensive re-creation of Mackintosh's interior schemes and decorative elements lost over the years. Large quantities of furniture to Mackintosh's designs have also been reproduced for use in the various parts of the Tearooms (the originals being lost or in private and museum collections throughout the world).
Talwin Morris suggested Charles Rennie Mackintosh as the architect for Hill House, and Blackie, despite Mackintosh's youthfulness, was convinced after seeing other houses designed by him. Blackie had specific requirements for the construction, seeking grey rough-cast walls and a slate roof instead of traditional materials like bricks and wood ...
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