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The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
Alexander the Great Taming Bucephalus is an 1826 history painting by the British artist Benjamin Robert Haydon. [1] [2] It depicts a scene from ancient history when Alexander the Great tamed his famous warhorse Bucephalus. On the right of the picture are Alexander's father Philip II of Macedon and mother Olympias.
Pages in category "Alexander the Great in art" The following 16 pages are in this category, out of 16 total. This list may not reflect recent changes. A.
The possession of his body became a subject of negotiations between Perdiccas, Ptolemy I Soter, and Seleucus I Nicator. [6] Alexander's wish to be interred in Siwa was not honored. In 321 BC, on its way back to Macedonia, the funerary cart with Alexander's body was hijacked in Syria by one of Alexander's generals, Ptolemy I Soter. [1]
The taming of Bucephalus—one of Castaigne's pieces on Alexander the Great (1898–99) On his return to France in 1895, he became instructor in the Académie Colarossi and opened a studio in Paris. He remained permanent European correspondent for The Century [ 1 ] and made trips to the US from time to time to do American illustrations for the ...
Alexander is mentioned in the Zoroastrian Middle Persian work Arda Wiraz Nāmag as gizistag aleksandar ī hrōmāyīg, literally "Alexander the accursed, the Roman", [1] [2] [3] due to his conquest of the Achaemenid Persian Empire and the burning of its ceremonial capital Persepolis, which was holding the sacred texts of Zoroastrianism in its Royal Archives.
Alexander the Great in legend (2 C, 43 P) Pages in category "Cultural depictions of Alexander the Great" The following 66 pages are in this category, out of 66 total.
The Alexander Mosaic of Pompeii, depicting Alexander the Great, king of Macedon, wearing the linothorax [6] Beginning around 575 BC, artists in the Aegean often show a distinctive style of armour with a smooth piece wrapped around the chest, two flaps over the shoulders, and a skirt of flaps covering the hips and belly. [7]