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The Khrushchev Thaw (Russian: хрущёвская о́ттепель, romanized: khrushchovskaya ottepel, IPA: [xrʊˈɕːɵfskəjə ˈotʲːɪpʲɪlʲ] or simply ottepel) [1] is the period from the mid-1950s to the mid-1960s when repression and censorship in the Soviet Union were relaxed due to Nikita Khrushchev's policies of de-Stalinization [2] and peaceful coexistence with other nations.
That renewed thaw ended on 1 December 1962, when Khrushchev was taken to the Manezh Gallery to view an exhibit which included a number of avant-garde works. On seeing them, Khrushchev exploded with anger, an episode known as the Manege Affair , describing the artwork as "dog shit", [ 149 ] and proclaiming that "a donkey could smear better art ...
De-Stalinization (Russian: десталинизация, romanized: destalinizatsiya) comprised a series of political reforms in the Soviet Union after the death of long-time leader Joseph Stalin in 1953, and the thaw brought about by ascension of Nikita Khrushchev to power, [1] and his 1956 secret speech "On the Cult of Personality and Its ...
The Polish October (Polish: Polski październik [ˈpɔl.ski paʑˈd͡ʑɛr.ɲik]), also known as the Polish thaw or Gomułka's thaw, also "small stabilization" (Polish: mała stabilizacja [2]) was a change in the politics of the Polish People's Republic that occurred in October 1956.
Khrushchev initiated "The Thaw", a complex shift in political, cultural, and economic life in the Soviet Union. That included some openness and contact with other countries and new social and economic policies with more emphasis on commodity goods, allowing living standards to rise dramatically while maintaining high levels of economic growth.
Khrushchev's speech was followed by a period of liberalization, known as the Khrushchev Thaw, into the early 1960s. In 1961, the body of Stalin was removed from public view in Lenin's mausoleum and buried in the Kremlin Wall Necropolis.
The Khrushchev Thaw led to the emergence of new expressions of culture in the Ukrainian Soviet Socialist Republic.Following filmmaker Alexander Dovzhenko's 1955 call for the "expansion of the creative boundaries of socialist realism", young Ukrainian intellectuals began creating art and artistic criticism that openly defied socialist realist principles in what later became known as the Sixtier ...
The movement's birth is associated with the Khrushchev Thaw and with the 6th World Festival of Youth and Students in 1957 in Moscow. The concept was introduced into cultural circulation by Mikhail Grobman [ 3 ] during his visit to the Tel Aviv Art Museum in the late 1950s, and by the late 1980s the term had become a solidified historical movement.