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  2. Detachment of wall paintings - Wikipedia

    en.wikipedia.org/wiki/Detachment_of_wall_paintings

    In their study, Mora, Mora, and Philippot cite four reasons for the "over-use" of detachment: the 19th-century division of the arts that privileged a "painting" divorced from its architectural and historical context; insensitivity to the aesthetic consequences, often partially concealed by restorers; the curiosity of art historians looking for sinopie; or perceived savings relating to the ...

  3. Paint This with Jerry Yarnell - Wikipedia

    en.wikipedia.org/wiki/Paint_This_with_Jerry_Yarnell

    Paint This with Jerry Yarnell is an educational television show produced by Jerry Yarnell, owner of the Yarnell School of Fine Art. It is broadcast primarily on public television channels. The show focuses mostly on landscape , wildlife , and Western American themes, in the impressionist style.

  4. United Nations Security Council mural - Wikipedia

    en.wikipedia.org/wiki/United_Nations_Security...

    The right top panel is also dominated by images of vegetation similarly found in the top left field. This panel displays three distinct images. A pair of dancing jesters, a figure playing a piano and two men in the background playing musical instruments and illustrates the movement of society towards valuing fine arts, music and theatre. [3]

  5. Shekhawati painting - Wikipedia

    en.wikipedia.org/wiki/Shekhawati_painting

    The walls themselves are the richest source of information on techniques and scientific studies [4] confirm their account. Half-finished work is always informative. Murals on the unfinished ceiling of Gopinath Temple, Parasrampura (1742) show that the pictures, though continuous, were drawn and coloured piecemeal on the dry plaster surface.

  6. Conservation-restoration of Leonardo da Vinci's The Last Supper

    en.wikipedia.org/wiki/Conservation-Restoration_of...

    The corrosion of the work can be accredited to Leonardo's unconventional painting technique for a work on a wall, as well as the surface itself. The refectory of Santa Maria delle Grazie sits in a low-lying part of the city, prone to flooding and damp. [12] The surface on which Leonardo painted is an exterior wall and would have absorbed ...

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