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In music, a drone is a harmonic or monophonic effect or accompaniment where a note or chord is continuously sounded throughout most or all of a piece. A drone may also be any part of a musical instrument used to produce this effect; an archaic term for this is burden (bourdon or burdon) [1] [2] such as a "drone [pipe] of a bagpipe", [3] [4] the pedal point in an organ, or the lowest course of ...
Music portal; This is a set category. It should only contain pages that are Technotronic songs or lists of Technotronic songs, ...
Drone music, [2] [3] drone-based music, [4] or simply drone, is a minimalist [5] genre of music that emphasizes the use of sustained sounds, [6] notes, or tone clusters called drones. It is typically characterized by lengthy compositions featuring relatively slight harmonic variations.
Technotronic was a Belgian electronic music project formed in 1987 by Jo Bogaert, best known for the 1989 single "Pump Up the Jam", which features vocals by Ya Kid K.The song peaked at number 2 on the Billboard Hot 100 in the United States.
The song appears in Dance Dance Revolution Ultramix 4 and Dance Dance Revolution 3rd Mix. It contains a vocal sample of James Brown's "Get Up, Get Into It, Get Involved". [2] In 2007, the song was covered by Global Deejays (featuring Technotronic) who achieved a minor success in France. [3]
The following is a list of notable artists who play, compose, have played, or have composed albums or pieces of drone music or drone metal This is a dynamic list and may never be able to satisfy particular standards for completeness.
Canntaireachd (Scottish Gaelic for 'chanting'; pronounced [ˈkʰãũn̪ˠt̪ɛɾʲəxk]) is the ancient method of teaching, learning and memorizing Piobaireachd (also spelt Pibroch), a type of music primarily played on the Great Highland bagpipe. In the canntairached method of instruction, the teacher sings or hums the tune to the pupil ...
Heymann has recorded pibroch transcribed from early manuscripts such as the Campbell Canntaireachd MS, in arrangements that employ a mobility of drone effects on the resonant wire strings, reverse engineering the shift to fixed drones that would have occurred in an appropriation of harp music by the bagpipes.
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