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It is usually made of oak, walnut or mahogany, with the drawer-fronts mounted with brass pulls and escutcheons. The more elegant examples in the Queen Anne, early Georgian, and Chippendale styles often have cabriole legs, carved knees, and slipper or claw-and-ball feet. The fronts of some examples also are sculpted with the scallop-shell motif ...
The Hoosier cabinet expands on the baker's cabinet by offering a pull-out workspace/shelf and storage for everything a cook would need. [10] The base section usually has one large compartment with the slide-out shelf covered in metal that offers more workspace, and several drawers to one side. The top portion is shallower and has several ...
Many examples of this style survive, exemplified by massive chests of drawers with scroll pillars and glass pulls, work tables with scroll feet and fiddleback chairs. Elements of the style enjoyed a brief revival in the 1890s with, particularly, chests of drawers and vanities or dressing tables, usually executed in oak and oak veneers.
The chest drawers were and are called by many names: LAMSAS database contains 37 answers to the request to name a chest of drawers, with "bureau" and "dresser" most popular at 52.5% and 17.5% respectively. [5] Chippendale called them "commode tables" or "commode bureau tables", Hepplewhite used the terms
Other varieties had drawers at the bottom and room for hanging clothes in the top cabinet. A tallboy is a piece of furniture incorporating a chest of drawers and a wardrobe on top. A highboy consists of double chest of drawers (a chest-on-chest), with the lower section usually wider than the upper. [ 2 ]
Furniture was made thoughtfully, with functional form and proportion. Rather than using ornamentation—such as inlays, carvings, metal pulls, or veneers—which was seen as prideful or deceitful, they developed "creative solutions such as asymmetrical drawer arrangements and multipurpose forms to add visual interest."
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