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Bach composed the cantata in Leipzig for the 27th Sunday after Trinity. [4] This Sunday occurs only when Easter is early. [5] The prescribed readings for the Sunday were from the First Epistle to the Thessalonians, be prepared for the day of the Lord (1 Thessalonians 5:1–11), and from the Gospel of Matthew, the parable of the Ten Virgins (Matthew 25:1–13).
Johann Sebastian Bach based his chorale cantata Wachet auf, ruft uns die Stimme, BWV 140, on the hymn [12] and derived one of the Schübler Chorales, BWV 645, from the cantata's central movement. His son Johann Christoph Friedrich Bach wrote a cantata for a four-part choir, Wachet auf, ruft uns die Stimme.
Christ lag in Todes Banden BWV 4 Chorale cantata by J. S. Bach Soprano part from opening chorus with text in Bach's own hand, St. Thomas Church, Leipzig, 1724/1725 Key E minor Occasion First Day of Easter Chorale " Christ lag in Todes Banden " by Martin Luther Performed 24 April 1707 (1707-04-24) Published 1851 (1851) Duration About 20 minutes Movements 8 Vocal SATB Instrumental Cornetto 3 ...
This is a partial list of commercial or professional recordings of Johann Sebastian Bach's cantata Christ lag in Todes Banden, BWV 4, organized chronologically.. The Bach cantatas fell into obscurity after the composer's death and, in the context of their revival, Christ lag in Todes Banden stands out as being having been recorded early and often; as of 2016, the Bach Cantatas Website lists 77 ...
Bach structured the cantata in five movements in a symmetrical arrangement of two framing duets surrounding recitatives and a central aria. Bach scored the work for two vocal soloists ( soprano (S) and bass (B)), and a Baroque instrumental ensemble of originally two violins (Vl), viola (Va), and basso continuo . [ 1 ]
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An unknown librettist retained the first and 11th stanzas as the outer movements of the cantata. [4] He derived movement 2, a recitative, from stanzas 2 and 3, movement 3, an aria, from stanzas 4 to 6, movement 4, a recitative, from stanzas 7 to 9, and movement 5, an aria, from stanza 10. [3]
Image credits: Photoglob Zürich "The product name Kodachrome resurfaced in the 1930s with a three-color chromogenic process, a variant that we still use today," Osterman continues.