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Tangerine Dream (late 1960s work) [130] Tomorrow [131] Tractor [132] Ultimate Spinach [69] [133] ... List of psychedelic pop artists; List of neo-psychedelia artists ...
In common parlance "psychedelic art" refers above all to the art movement of the late 1960s counterculture and early 1970s counterculture. Featuring highly distorted or surreal visuals, bright colors and full spectrums and animation (including cartoons) to evoke, convey, or enhance psychedelic experiences .
The psychedelic era was the time of social, musical and artistic change influenced by psychedelic drugs, occurring from the mid-1960s [1] to the mid-1970s. [2] The era was defined by the proliferation of LSD and its following influence in the development of psychedelic music and psychedelic film in the Western world .
Peter Max (born Peter Max Finkelstein, October 19, 1937) is an American artist known for using bright colors in his work.Works by Max are associated with the visual arts and culture of the 1960s, particularly psychedelic art and pop art.
The fashion for psychedelic drugs gave its name to the style of psychedelia, a term describing a category of rock music known as psychedelic rock, as well as visual art, fashion, and culture that is associated originally with the high 1960s, hippies, and the Haight-Ashbury neighborhood of San Francisco, California. [42]
The following is a list of artists described as general purveyors of the acid rock genre. Acid rock is a loosely defined type of rock music [1] that evolved out of the mid-1960s garage punk [2] movement and helped launch the psychedelic subculture.
Robert Wesley Wilson (July 15, 1937 – January 24, 2020) was an American artist and one of the leading designers of psychedelic posters. [1] Best known for designing posters for Bill Graham of The Fillmore in San Francisco, he invented a style that is now synonymous with the peace movement, the psychedelic era and the 1960s.
Liquid light shows (or psychedelic light shows) [not verified in body] are a form of light art that surfaced in the early 1960s as accompaniment to electronic music and avant-garde theatre performances. They were later adapted for performances of rock or psychedelic music.